Many celebrations are commemorated through literature. American authorship instills opportunity for the free-willed to proliferate excitement for the jubilant feast of observance to ethnicity through tradition. I recently read two books with an eye to understanding such an icon. This American author praised for his worth through renderings of youthful exuberance for want of behavior betterment, which hopeful authority figures attend and deem suitable for a life lived in reverence to writing(imagination generally will peak an interest in the young). « How The Grinch Stole Christmas » by TS Geisel (mostly known by his pen-name, Dr Seuss), is just one of the 60-plus books this author produced, the first of my reads. The next was his professional biography, « Theodor SEUSS Geisel » by Donald E Pease, which I read since having an interest in the cause which gave rise to the professional use for such a skill devised of talent as these drawings, Dr Seuss’ breadth and wealth, exhibit.
The Grinch stole Christmas with relative ease. He also stole a community’s peaceful communion, though not their peace of mind. He took their feast, though not their means. He, with malice, snagged the sparkle from the occasion, leaving the gleam from purity of reason to ignite spiritual serenity throughout their lives. Fortunately, the dawning of this Who-ism value, that our light shines in observance whether we are blessed with the day’s advantages, and also should this live’s crotchety miscreant have an eye (though not the heart) to abscond with the day’s loot. He left them with their joy.
TS Geisel, Dr. Dr. Seuss, the artist, ‘draws’ his talent, he drew it from sketches. His talent was as a sketch artist, which he managed as a skill since growing his professional ability through networking and through collaboration. His drawings took on the burden of novelty, he then required a suitable professional outlet for this skill to provide livelihood. He was an ad man, a caricature artist, a writer of politics by way of cartooning. He worked in editorial management on subscription publications. He stayed well-connected through educational tracks; he was resourceful, and witty with words and rhymes which his art endorsed. His sketch art and his wordplay were natural guides which lead him into service, and then to social participation as an early development specialist. He was enabled with the talent to ignite curiosity for learning. Youthful curiosity could be rewarded with behavior controls. His creative artwork was different enough to be interesting to the youngest viewers. The naughty, deliberately non-human personalities, as heroes, provoked the worst outcome, which then would coax the imagination to provide honest solutions to his world of speculation. Strangers may be strange, the result may need correction, or maybe you’re just weird. Still, it’s interesting enough to want to read. His renderings withstand change insofar as the youthful are captivated first by the unusual and then by the sing-song, easily read and memorized, therefore learned, jargon.
SEUSS is an icon for American innovation, and patience.